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AIATSIS highlights collection materials that document ways the drum embeds Torres Strait Islander identity and has acted as an agent of musical change in the sacred song repertoire in the Torres Strait Islands. The Collections cover the period 1920s-1995.
The Gary Lee collection: ephemera 1991-2012 contains a number of unique items relating to the play ‘Keep Him My Heart: A Larrakia - Filipino Love Story’. These include draft scripts, the original ink set designs, cue sheets and the art work for the promotional poster for the play.
A response to Dr. Liz Conor’s The Conversation essay ‘Aboriginalia’ and the politics of Aboriginal kitsch’ by Kerry Reed-Gilbert, Wiradjuri elder and collector of Aboriginalia, with curator Sally Brand.
A new display has opened in the AIATSIS Reading Room featuring Aboriginalia from the Kerry Reed-Gilbert collection.
Now that four of the largest paintings in the AIATSIS Collection have been digitised, we have extremely detailed, colour accurate digital reproductions preserved for the future.
As a part of AIATSIS’ Ngunawal Revival Project, we assisted in writing an acknowledgment of country in Ngunawal, which PM Malcom Turnbull has said in Parliament. But on what other occasions have Indigenous Australian languages been used in Parliament?
Sentenced to hang in 1959, Arrernte man Rupert Max Stewart survived 7 stays of execution and ultimately had his conviction commuted to life in prison. The Father Dixon and the Stuart Case Papers provide an insight into how this was achieved.
Merle and Alick Jackomos have a long connection with AIATSIS. Upon hearing the news that the Jackomos family home was being sold, the Institute contacted Merle and Alick’s daughter, Esmai, to make arrangements for the preservation of her parents’ papers.
This year marks 10 years since the National Apology to Australia’s Stolen Generations, 20 years since the Bringing Them Home report and over 30 years since the Stolen Generations were documented in two AIATSIS films.
How did a colourful sculptural installation that started as an innovative form of protest transform into an enduring symbol of Non Indigenous community aspirations to be reconciled with Aboriginal people and Torres Strait Islanders?