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This post highlights images and footage from the 3rd Torres Strait Cultural Festival (now known as the Winds of Zenadth Festival) photographed by Adhi (Chief) Ephraim Bani in 1989 and held in the AIATSIS Collection.
Aboriginal Personal Stories of Life in South Australian Homes, Orphanages: The story of Veronica Brodie
The Jerry Schwab Collection of sound recordings comprises of nine audiocassettes and transcripts documenting the stories of forced removal and survival of Aboriginal people from different parts of South Australia. One of those is Veronica Brodie's story.
Lantern slides are a unique format that was in wide use from the 18th to mid-20th century and allowed glass photographic transparencies to be displayed using a magic lantern projector.
This month marks 35 years since the Federal Government ceased the Hydro-Electric Commission’s construction of a dam on the Franklin River in southwest Tasmania; however, evidence presented during this court case claiming the archaeological significance of Kutikina Cave was neither exceptional nor significant continued to haunt archaeologist Rhys Jones.
AIATSIS highlights collection materials that document ways the drum embeds Torres Strait Islander identity and has acted as an agent of musical change in the sacred song repertoire in the Torres Strait Islands. The Collections cover the period 1920s-1995.
The Gary Lee collection: ephemera 1991-2012 contains a number of unique items relating to the play ‘Keep Him My Heart: A Larrakia - Filipino Love Story’. These include draft scripts, the original ink set designs, cue sheets and the art work for the promotional poster for the play.
A response to Dr. Liz Conor’s The Conversation essay ‘Aboriginalia’ and the politics of Aboriginal kitsch’ by Kerry Reed-Gilbert, Wiradjuri elder and collector of Aboriginalia, with curator Sally Brand.
A new display has opened in the AIATSIS Reading Room featuring Aboriginalia from the Kerry Reed-Gilbert collection.
Now that four of the largest paintings in the AIATSIS Collection have been digitised, we have extremely detailed, colour accurate digital reproductions preserved for the future.
As a part of AIATSIS’ Ngunawal Revival Project, we assisted in writing an acknowledgment of country in Ngunawal, which PM Malcom Turnbull has said in Parliament. But on what other occasions have Indigenous Australian languages been used in Parliament?